New show of photos by Walker Evans at San Francisco MOMA

Those images are among 400 of Evans' prints, paintings and personal items at a new exhibition at the San Francisco Museum of Modern Art.

SAN FRANCISCO | Roadside shacks, garbage, circus wagons, subway riders and other ordinary folk: All were favorite subjects of Walker Evans, one of the 20th century’s pre-eminent photographers.

Those images are among 400 of Evans’ prints, paintings and personal items at a new exhibition at the San Francisco Museum of Modern Art.

Travel San Francisco Walker Evans

In this photo provided by the San Francisco Museum of Modern Art is the photograph by Walker Evans called "Roadside Stand Near Birmingham" taken in 1936. The photo is part of a new retrospective exhibit at the San Francisco Museum of Modern Art featuring 400 pieces of Walker's vintage prints, paintings and items from his personal collection. The exhibit was conceived as a 50-year retrospective highlighting the photographer's fascination with popular culture or vernacular — a celebration of the beauty in everyday life. (Walker Evans/San Francisco Museum of Modern Art via AP)

Travel San Francisco Walker Evans

In this photo provided by the San Francisco Museum of Modern Art is the photograph by Walker Evans called "Subway Portrait" taken between 1938-1941. The photo is part of a new retrospective exhibit at the San Francisco Museum of Modern Art featuring 400 pieces of Walker's vintage prints, paintings and items from his personal collection. The exhibit was conceived as a 50-year retrospective highlighting the photographer's fascination with popular culture or vernacular — a celebration of the beauty in everyday life. (Walker Evans/San Francisco Museum of Modern Art via AP)

Travel San Francisco Walker Evans

In this 1936 photo provided by the San Francisco Museum of Modern Art is the photograph by Walker Evans called "Allie Mae Burroughs," wife of a cotton sharecropper, taken in Alabama. The photo is part of a new retrospective exhibit at the San Francisco Museum of Modern Art featuring 400 pieces of Walker's vintage prints, paintings and items from his personal collection. The exhibit was conceived as a 50-year retrospective highlighting the photographer's fascination with popular culture or vernacular — a celebration of the beauty in everyday life. (Walker Evans/San Francisco Museum of Modern Art via AP)

Travel San Francisco Walker Evans

In this photo taken Sept. 27, 2017, self portraits of Walker Evans taken in a photo booth in 1929 are displayed on a wall in a retrospective exhibition of his work at the San Francisco Museum of Modern Art in San Francisco. The exhibit highlights the vernacular work of Evans, one of the preeminent photographers of the 20th century. The display, which includes 400 photos, paintings and objects, runs through Feb. 4, 2018. (AP Photo/Eric Risberg)

Travel San Francisco Walker Evans

In this photo taken Sept. 27, 2017, a woman takes a picture of a wall displaying a photograph called Resort Photographer 1941 in the retrospective exhibition of Walker Evans at the San Francisco Museum of Modern Art in San Francisco. The exhibit highlights the vernacular work of Evans, one of the preeminent photographers of the 20th century. The display, which includes 400 photos, paintings and objects, runs through Feb. 4, 2018. (AP Photo/Eric Risberg)

Travel San Francisco Walker Evans

In this photo taken Sept. 27, 2017, people look at a wall showing a 1975 interior view of Walker Evans home during a retrospective exhibition at the San Francisco Museum of Modern Art in San Francisco. The exhibit highlights the vernacular work of Evans, one of the preeminent photographers of the 20th century. The display, which includes 400 photos, paintings and objects, runs through Feb. 4, 2018. (AP Photo/Eric Risberg)

Travel San Francisco Walker Evans

In this photo taken Sept. 27, 2017, postcards, old signs and posters are on display in a retrospective exhibition of Walker Evans at the San Francisco Museum of Modern Art in San Francisco. The exhibit highlights the vernacular work of Evans, one of the preeminent photographers of the 20th century. The display, which includes 400 photos, paintings and objects that belonged to Evans, runs through Feb. 4, 2018. (AP Photo/Eric Risberg)

Travel San Francisco Walker Evans

In this photo taken Sept. 27, 2017, a woman listens to the voice of Allie Mae Burroughs, wife of a cotton sharecropper, at the retrospective exhibition of Walker Evans at the San Francisco Museum of Modern Art in San Francisco. On the wall are two versions of Evans' most famous photograph showing Burroughs in sadness and another smiling. The exhibit highlights the vernacular work of Evans, one of the preeminent photographers of the 20th century. The display, which includes 400 photos, paintings and objects, runs from through Feb. 4, 2018. Burroughs was the subject of Evans' most famous photograph. (AP Photo/Eric Risberg)

Called the quintessential American photographer by museum director Neal Benezra, Evans influenced many others including Diane Arbus, Robert Frank and Lee Friedlander.

The exhibit was conceived as a 50-year retrospective highlighting the photographer’s fascination with popular culture as a celebration of the beauty in everyday life.

The show includes signs and postcards from his extensive personal collection. To Evans, collecting was as important as photographing. A large photograph of his living room shows how he displayed signs like paintings above his fireplace.

He was most recognized for his Depression-era documentary work using an 8-by-10-inch view camera. Later he used a 35 mm and a Rolleiflex, and toward the end of his career, a Polaroid SX-70 camera.

His most famous photo, shot in 1936, was of Allie Mae Burroughs, wife of a cotton sharecropper in Alabama. Evans made four 8-by-10-inch exposures of Burroughs, the most famous showing her deepest sadness. The exhibit includes another version showing her smiling, along with Burroughs’ recollections of Evans’ visit with writer James Agee.

Evans, born in 1903 in St. Louis, studied in France and made his way to New York in the 1920s. Well-educated, he started as a writer but turned to photography, landing his first major exhibition in 1938 and building a 20-year relationship with Fortune magazine.

The show debuted at the Centre Pompidou in Paris. San Francisco is its sole U.S. venue, on view through Feb. 4.

Evans “deserved a large show to really explain the depth of his work,” said Clement Cheroux, the museum’s senior curator of photography. “Through his photos, he was trying to define what is the American vernacular. He was a proto pop artist.”